It is part of the bounty she brings into the world. The author of the novel exposes the prospect of an adverse impact of social and political diversities on both favored and disfavored members of society; moreover, Coetzee reveals different means of confronting the issues by two main characters. You weren’t there. She does not own herself. No emotion, or none but the deepest, the most unguessed-at: a ground bass of contentedness, like the hum of traffic that lulls the city-dweller to sleep, or like the silence of the night to countryfolk. Lurie is agitated with the decision of his daughter to remain silent; he is not interested in his own safety but the security of his daughter.
Hers, however, is far worse. The novel is set in post-apartheid South Africa, and matters of race permeate all the characters’ lives. Struggling with distance learning? I have a lover! Well, let poor Bev Shaw go home and do some singing too. That is his temperament. Lucy has chosen to remain silent about the incident; her father says that “it will dawn on them that over the body of the woman silence is being drawn like a blanket” (Coetzee 110). That is why I say it is futile to go on debating with Professor Lurie.
‘Why?’, 'Why? ‘You’re very lovely,’ he says.
Graham, Lucy. What makes this novel compelling and exceptional is presenting the existing problems of the society through the prism of perception of the book’s protagonist David Lure and his daughter Lucy.
In the aftermath of his fight with Pollux. She has a duty to share it.’. David was not able to convince his daughter about the dangers of living in Salem; the incident provoked the developing of stronger relationships with her neighbors and Petrus in particular.
‘I have said the words for you, now you want more, you want me to demonstrate their sincerity. His needs turn out to be quite light, after all, light and fleeting, like those of a butterfly. I have had enough. Detailed explanations, analysis, and citation info for every important quote on LitCharts. However, the reader can notice that by saying these words, Lurie probably is forcing himself to believe in their veracity. ‘There was something so ignoble in the spectacle that I despaired.
I am the one who has to live here.
As though she had decided to go slack, die within herself for the duration, like a rabbit when the jaws of the fox close on its neck. You lacked the lyrical, you say. Gerundo, Tom. Beauty does not own itself. His temperament is fixed, set. ‘He is shifty. Exciting, always, to be courted: exciting, pleasurable. “Reading the Unspeakable: Rape in J. M. Coetzee’s Disgrace.” Journal of Southern African Studies 29.2 (2003): 433-444.
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