Plot Keywords Oscar and Lucinda is a 1997 British-Australian romantic drama film directed by Gillian Armstrong and starring Cate Blanchett, Ralph Fiennes, Ciarán Hinds and Tom Wilkinson. She is forced to leave the subdivided farm for the city, determined to experience the working world. KirkusReviews - Oscar and Lucinda Kirkus Reviews tend to be brief, only two or three paragraphs long. Here there is a dry wit, generated between the well-balanced performances of Fiennes and Blanchett, who seem quietly delighted to be playing two such rich characters. The sounds of the races torture him. It is based on the 1988 Booker Prize-winning novel Oscar and Lucinda by Peter Carey.  In March 1998, the film was nominated at the 70th Academy Awards for the Best Costume Design. The gamblers are his grandparents, two 19th century eccentrics, driven by faith and temptation, who find they are freed to practice the first by indulging in the second. Against that, though, set writing that is far more often lucid and fine, beautifully drawn characters, and a remarkably clever narrative scheme. Oscar wins his first bet and devises an elaborate betting system, sending some money to the Strattons, keeping a meagre amount for himself, and donating the rest to the Church. She buys a glass factory and has a dream of building a church made almost entirely of glass, and then transporting it to Bellingen, a remote settlement on the north coast. In 1986, Bob writes about his great-grandfather, Oscar Hopkins. | Oscar accepts her wager, and this leads to the events that will change both their lives forever. Even now they are not in love; it is gambling that holds them together, and Oscar believes Lucinda fancies another minister who has gone off to convert the outback. She is now drawn to the glassworks for sale at Darling Harbour. Oscar Hopkins is a contradictory man, both pious and corrupt. "Oscar and Lucinda" begins with the look of a period literary adaptation, but this is not Dickens, Austen, Forster or James; Carey's novel is playful and manipulative, and so is the film. The gamblers are his grandparents, two 19th century eccentrics, driven by faith and temptation, who find they are freed to practice the first by indulging in the second. Reading it, I was swept up by the humor of the situation, and by the passion of the two gamblers. As Miriam is pregnant with Oscar's child, Hasset burns the papers confirming the wager, not wanting Lucinda's money to be inherited by her. is sometimes too slow, and its energetic whimsicality can be grating. That gives him his great idea: Lucinda's glassworks will fabricate a glass cathedral, and Oscar will superintend the process of floating it upriver to the remote settlement. The soundtrack was completely recorded at Paramount Scoring Stage and at The Village Recorder, in Los Angeles, California on 9–30 June 1997. Oscar is shy and painfully sincere, Lucinda has evaded her century's strictures on women by finding a private passion, and they would both agree, I believe, that people who worship in glass churches should not throw stones. Be the first to contribute! She dies shortly after her son, Oscar, is born and the child is raised by Lucinda. Hasset instructs her in the properties of glass; d’Abbs handles the finances. ”In order that I exist, two gamblers, one Obsessive, the other Compulsive, must meet. When God seems to reply, Oscar devises other ways of reading the signs of the Lord. He goes to live with Lucinda who allows him to work in her glass factory. Oscar Hopkins is a contradictory man, both pious and corrupt. On the boat over, he meets Lucinda and hears her confess to gambling which he denies is a sin. Reading the novel, I pictured the glass cathedral as tall and vast, but of course it is a smaller church, one suitable for a growing congregation, and the photography showing its stately river progress is somehow funny and touching at the same time. Angry because his father strikes him, Oscar calls on God to test his father’s belief. Themes; Style; Quotes. He was raised by a strict, religious father, but he abandons his father's religion in favor of Anglicanism. Taglines Oscar decides he doesn't fit into ordinary society. He is successful in delivering the church. He sees betting as a vile monster that he must, yet cannot, deny. © 2020 eNotes.com, Inc. All Rights Reserved. She buys a glass factory and has a dream of building a church made almost entirely of glass, and then transporting it to Bellingen, a remote settlement on the north coast. Their lives form a love story of enchantment and wicked wit. They meet, indeed, because they gamble.
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