Pensando che fosse abbastanza, Curry ha iniziato la codifica la sua arte con il nome.
Making collecting contemporary art a pleasurable experience, from discovery to delivery.
Curry’s intention was to cultivate a space for collective play to support the process of healing from disaster.
Digard — Urban Contemporary Art, 'Alixa and naima, 2010', 2017, Institute of Contemporary Art, Boston, USA, São Paulo Museum of Art, São Paulo, Brazil, Jeffrey Deitch Gallery, New York, USA, 2019.
2017, The Canyon: 1999-2017, retrospective, Contemporary Art Center, curated by Steven Matijcio, Cincinnati, OH, September 23 - February 25. Si è trasferita al Borough Park sezione di Brooklyn , New York, quando aveva diciannove anni a studiare pittura presso il Pratt Institute . 2008, Drown Your Boats, New Image Art Gallery, Los Angeles, CA, February 16- April 19. Credeva che avrebbe semplicemente dipingere un paio di foto che finirebbero su una parete in una galleria o casa di qualcuno. Curry said, "the 80-year-old retired painters adopted me; they taught me how to paint.
Per esempio, hanno giocato sul Canal Grande a 3:00 am Quando il gruppo finito i soldi, hanno usato i container come abitazioni. Allo stesso tempo, che stava cercando di trovare ciò che lei descrive come contesto. A dicembre 2010, un centro comunitario e di una casa erano stati completati. Caledonia Curry (born 1977), whose work appears under the name Swoon, is a Brooklyn-based artist and is widely known as the first woman to gain large-scale recognition in the male-dominated world of street art. At the 2009 Venice Biennale, she shocked and delighted visitors by navigating a flotilla of rafts, handcrafted from scavenged materials and garbage, into the city’s waterways.
Curry has spoken publicly about the significance of this decision, and the importance of recognizing one’s own limitations. Tuttavia Swoon riconosce che il suo genere fornisce invisibilità dalla polizia mentre si incolla che i suoi colleghi maschi non hanno. Nel momento in cui frequentava il Pratt Institute, studia pittura. Da allora ha cercato di evocare questo in tutta la sua altre opere d'arte. ", On Oct 22, 2011, The Music Box hosted its debut performance. The Braddock Tiles ran from 2015-2018, and was developed collaboratively by Curry, KT Tierny and Katie Johnson. Tuttavia, ha cominciato a sentirsi trattenuto dal senso che la sua vita era già predisposto per lei.
Swoon cites her inspiration for the Miss Rockaway Armada on the Floating Neutrinos, a group of artists led by Poppa Neutrino, who lived communally on the water and successfully completed a trans-atlantic crossing on a hand-made junk raft in 1998; as well as a long tradition of punk boat culture in the city of Minneapolis. At first, she pasted work anonymously. E 'stato un piccolo cambiamento letterale. Caledonia Curry, whose work appears under the name Swoon, is a Brooklyn-based artist and is widely known as the first woman to gain large-scale recognition in the male-dominated world of street art.
A volte ritrae amici o parenti, colti in un significativo momento della loro storia personale, immortalando la loro anima spesso trasformata in allegoria.
La maggior parte degli street art di Swoon è costituito da ritratti. Working only with a small number of artists we are experts in our field with unrivalled networks of buyers so we can find the right buyer. Unlike auctions where you may find your artwork just scrapes it’s low reserve we set the parameters in advance. In 2008, Swoon returned to Deitch Projects for an ambitious, two-part exhibition Swimming Cities of Switchback Sea. Choosing to focus on the community building aspect of the project, Braddock Tiles began to work with an existing organization, the Braddock Youth Program, to create a job-readiness and soft skills program for youth ages 18- to 26-years-old, who had aged out of the youth program.
A fleet of three rafts, named Maria, Alice and Old Hickory navigated an open crossing of the Adriatic Sea, before moving into the protected in-land Littoral canals of Italy. New works, new shows, new stuff.
Ha dichiarato che voleva entrare a far parte del mondo.
X. Swoon propone una visione impegnata del mondo che la circonda attraverso la rappresentazione di persone, spesso anonime, che danno voce e visibilità ad una precisa vicenda attraverso le sue raffigurazioni. Caledonia Curry (born 1977), whose work appears under the name Swoon, is a contemporary artist who works with printmaking, sculpture, and stop-motion animation to create immersive installations, community-based projects and public artworks. Tendrils of her own family history—and a legacy of her parents’ struggles with addiction and substance abuse—recur throughout her work. The project began five years after Hurricane Katrina, in response to the long-term struggle towards recovery that continued to impact the livelihood of residents and the distinct musical culture of the city. Ha trovato divertente che tutti si aspettavano il suo essere un uomo. Swoon ha iniziato la sua arte di strada nel 1999. , In 2005, the Deitch Projects, founded by Jeffrey Deitch, presented Curry’s first New York solo exhibition: Swoon.
Banksy, Bonnie and Clyde, Harland Miller, Jeff Koons, Lauren Baker, Martin Creed, Nina Saunders, Tim Fishlock, Hang-Up is an independent contemporary art gallery based in East London. Ha anche fondato il collettivo Toyshop, noto per l'organizzazione di eventi come ad esempio una marcia attraverso il Lower East Side composto da 50 persone che suonano strumenti fatti di spazzatura.
Caledonia Curry (born 1977), whose work appears under the name Swoon, is a contemporary artist who works with printmaking, sculpture, and stop-motion animation to create immersive installations, community-based projects and public artworks. A crew of 30 collaborators worked at a marina in Koper until the rafts received approval by the Slovenian coast guard to leave port.
Her memorial portrait of Silvia Elena Morales (2008), who was murdered in Juarez, Mexico, addressed the ongoing femicides that have claimed the lives of thousands of women in Mexico and Central America since 1993. These efforts included collaborating with local artist collective Transformazium on a deconstruction (as an alternative to demolition) initiative for fire-damaged sections of the building, creating a Super Adobe dome in the building’s disused parking lot, and, finally, the creation of Braddock Tiles. 2008, Portrait of Silvia Elena, Honey Space Gallery, New York, NY, May 2008. These are the perfect tools for making things as old as time new again -- including an art world turned dangerously into itself.”.
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